Three Misunderstandings of Redwood Furniture Investment Collection

Misunderstanding 1: The grim face of the entry of the mahogany furniture investment collection is the only criterion for Hainan Huanghuali furniture.

Many entry-level furniture collectors often recognize the number of ghosts and grimace on the appearance of Hainan Huanghuali furniture. They are used as the main indicators for judging the quality of furniture. This method cannot be said to be completely wrong, but it is completely partial.

The yellow pears that grow in the western part of Hainan Island, due to the sinister ecological environment, have to be at least three or four hundred years old, some even in the past five hundred years, and the rate of finished products is very low. The trunk is irregular, the trunk and the tree knot are changeable, and it is easy to form a huanghuali grimace. However, this Hainan huanghuali is difficult to make large furniture, so it is easier to see more faces on many small furniture.

Some huanghua pears that grow in the flat areas of the eastern part of the island are relatively straight, the trunk diameter is also thicker, and the yield rate is also higher. Some large utensils such as arhat beds and top boxes are mostly used in this Hainan yellow. Made of pears, they have very few grimace on the surface, but the wavy water is the main ornament, and the color is lighter.

Therefore, when distinguishing Hainan Huanghuali furniture, ghost face is not the only criterion.

Misunderstanding 2: The pursuit of the introduction of mahogany furniture investment collection "Ten Tan Nine"

Ming Ding Tan mahogany expert: "Ten Tan Nine Air" originally meant that the big red sandalwood wood is basically hollow, and the yield is extremely low. Correspondingly, the price of a slightly larger rosewood furniture would be surprisingly high.

However, this sentence may not be correct. In the history of the use of red sandalwood, the use of rosewood roundwood is mostly a hollow period. These red sandalwoods are almost all known as "bovine hairy red sandalwood". Most of the red sandalwood furniture in the Qing Dynasty palace is made by this kind. .

But even if it is a cow-hair red sandalwood, there are many examples that are not empty. There are many large table cases in the Palace Museum. The materials used are thick and long. Some cases are more than 3 meters long. The materials used in such furniture cannot be hollow. The red sandalwood displayed in the Shanghai Museum has many large items. .

The red sandalwood is said to have more than ten varieties, and about three or four can be seen in China. A few years ago, the first batch of large-scale red sandalwood imported from overseas was almost hollow, and the trunks were straight. It was too far away from the evaluation of the “Ten Tan Nine”, but after repeated comparisons, the experts of the Palace Museum finally confirmed the red sandalwood and The pieces of red sandalwood furniture left in the palace of the Ming Dynasty belong to the same kind of wood.

Misunderstanding 3: All mahogany imported from the collection of mahogany furniture has a collection value

The so-called mahogany mainly consists of five genera and eight categories, which are divided into red sandalwood, Dalbergia, diospyros, genus and genus. The eight species are rosewood, rosewood, fragrant wood, black rosewood. , red rosewood, ebony, striped ebony and wenge wood. Among them, Hainan Huanghua Pear is the most superior material, very rare.

Some citizens tend to over-confident mahogany when purchasing Chinese furniture. They only value the scarcity of materials and neglect the production process. They think that as long as the furniture made of mahogany has collection value, this view is wrong.

"Jade is not awkward, not a device." The same is true for mahogany furniture. Fine mahogany furniture pays attention to "shape, material, art, rhyme". The craft and shape determine the collection value of mahogany furniture. The price of the same piece of furniture on the market may differ by a hundred times. The production of fine mahogany furniture pays attention to "one wood and one device, one person and one device". Using traditional techniques such as engraving, enameling, inlaying, and curveing, without the use of any nails and adhesives, fine mahogany furniture can be produced.

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