Magic Mask Introduction Shopping Guide Magic Mask Hot Products Recommended
Introduction to the magic mask The magic mask is a cover that acts as a occlusion. It is a tool used to disguise and enhance the performance when performing magic. >>Optional: Magic Mask Hot Products Recommended |
â– Magic Mask Hot Products Recommended
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â– The interpretation of the mask in a broad sense
Mask in a broad sense
The mask is a symbol of people's inner world. It is an important cultural phenomenon that spans the whole world and looks at the past and the present. It is valued by the academic community with rich cultural connotations and special external forms. China is one of the earliest countries with the earliest and most popular time. It can still see its prototype and shadow until today, and continue to play a role in the psychological, folk, cultural and artistic aspects of the Chinese people. The mask is a special field of plastic art, which first appeared in ancient times far away. Many tribal and tribal masks often combine engraving and painting to create quite exciting works. Although grotesque, it is not an important achievement for plastic art. Mask culture is also often referred to as å‚© culture. His appearance is a sign of social progress. It shows that people have moved from superficial thinking to abstract thinking. Generally refers to the actor's facial shaping, also known as "mask", "face". English is called "mask". Humans have been wearing masks for thousands of years. The earliest masks may have been produced in hunting activities. In order to facilitate access to prey, hunters use masks to dress themselves up as animals. In folk activities around the world, people often use masks to put themselves in themselves. Dressed as a ghost and a variety of strange animals, to express the worship of natural forces or conquer the natural forces in the imagination, in some folk performances, the mask is still the main means of makeup. For example, the local opera in Guizhou. Masks, telling Tibetan culture with rich expressions and colors. The mask, called "Pak" in Tibetan, is mainly used for various folk performance activities. It has a direct relationship with people's daily life, labor and entertainment, and it spreads throughout Tibet. Throughout the Qing Dynasty, Tibetan operas were widely spread to the people, and their repertoire and genre were more colorful. Compared with religious masks, Tibetan opera masks have a strong secular tendency and folk color. The subject matter of performance mainly includes historical stories and characters, gods and animals in mythology. The masks of kings, ministers, lamas, old women, and old men in Tibetan masks have unique characteristics; the creation of gods, ghosts, and animal masks in the plot, despite the obvious traces of religious masks, are mostly personalized and endowed with Human emotions. Human beings are true, good, beautiful, and false, ugly, and evil. They all have concrete expressions in the mask. The masks are multi-colored, and different colors symbolize different character characteristics, such as the deep red symbolizes the king, the light red represents the minister, the yellow symbolizes the living Buddha, the blue represents the opposite character, and the half black and white symbolizes the two-faced faction. At the beginning of the Tibetan opera, the first to appear was the role of wearing a hunter mask. Hunter masks are mostly blue or cyan.
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